Tomasa La Macanita´s fourth record, produced by Isidro Sanlúcar and with the accompaniment of great cooperating artists like Moraíto Chico and Diego del Morao. A direct heir of La Paquera and La Perla, her broken voice is one of the ones with a strongest flamenco character in the late twentieth century, a voice that belongs to a different age, and a form of singing that is totally pure, with a taste of Jerez in its bulerías.