A key record that marks a break in Camarón's career, sees him performing with a new guitarist, Tomatito, for the first time, and on which Kiko Veneno and Raimundo Amador cooperate. This work opens up new horizons to flamenco, bringing it closer to rock, jazz and Oriental traditions. According to popular legend, at the time old gypsies were going back to shops to return the record, saying that this wasn't Camarón. In addition to the guitar and hand-clapping, bass, drums, flute, Moog keyboard, Fender piano and even a zither were included. The record is dedicated to the memory of Federico García Lorca and recovers his poetry in five musical adaptations, as well as including a popular poetic composition, La Tarara.