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Music score + Audio MIDI with Metronome
Format: A4
208 pages
Languages: Spanish – English - French
For all those who wish to learn flamenco harmony through its intrument par excelence, the flamenco guitar.
The book includes an analysis of 166 falsetas (variations) from different times, dealing with a wide range of styles: soleá, tangos, bulerías, siguiriyas, fandangos, from the most representative guitarists in flamenco’s history. Essential for understanding and transcribing the music of the great masters including a clear analysis and description of flamenco composition.
Many classic composers have, since the 19th centaury, become interested in flamenco guitar harmony and incorporated it into their pieces, composers like: Glinka, Rimski-korsakov, Ravel, Debussy, Albéniz, Turina, Falla.
INDEX:
- INTRODUCTION
-Tab symbols for chords and diagrams
-Adaptation de flamenco style
-Modulations
- FIRST PART: FLAMENCO MODE EN E ("Major")
-Grades of the flamenco mode and harmony
-Flamenco cadence
-Widening of the chords for the first two grades
-Chords in E7(b9); sequences II - I; superimposition of the chords for the first two grades
-Main sequences for the chords in flamenco cadence
-Substitute chords
-Intermediate cadences
-Modulations
-Falsetas in the harmony sequences previously described
-Conclusion
- SECOND PART: FLAMENCO MODE EN E ("minor")
- Grades of the flamenco mode and harmony
- Widening of the chords for the first two grades
- Flamenco cadence
- Chords in A7(b9); sequences II - I; superimposition of the chords for the first two grades
-Main sequences for the chords in flamenco cadence
-Substitute chords
-Intermediate cadences
-Modulations
-Afinación E / A / D / G / B flat / D
-Conclusion
-APENDIX
-Flamenco mode in E ("Por arriba")
-Flamenco mode in A ("Por medio")
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