A record that collects the repertoire that Paco de Lucía interpreted during his performances in the spring and summer of 1993. The relative weight of flamenco is the dominant element in the work as a whole, although it has been claimed that “Paco didn't like the final result” (J.J. Téllez). The album contains pieces that were already well-known, like Mi niño Curro, Tío Sabas, Zyryab, Soniquete, La Barrosa, and ends with Buana, Buana King Kong, a rumba that is somewhat out of tune with the direction that is set by the record as a whole but which, nonetheless, became extremely popular