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Confidential, with...

María Juncal

Têtê-à-têtê with María Juncal
"When I dance I feel like a woman"

Pitingo

A private chat with Pitingo
"My favourite style is soulería"

Martirio

A private chat with Martirio
"I think I came into this world to sing"

A chat with Miguel Poveda
"If there is someone in the audience that I like artistically or physically I am more motivated"


An exclusive chat with elbicho
"The best thing about flamenco is that it comes from inside"


A private chat with David Peña Dorantes
"You can't chain your imagination when it comes to music"


A private chat with Cañizares
"I am satidfied with my work"


An exclusive chat with Navajita Plateá
"Our inspiration is reflected in our lyrics, it depends on our mood"


An exclusive chat with Carmen Linares
"Purity is within each of us"


An exclusive chat with Niño Josele
"The duende is the thing that works"


An exclusive chat with Potito
"The worst thing about flamenco is seasonal pseudo-flamenco"


An exclusive chat with Estrella Morente
"The best thing about flamenco is my father"


An exclusive chat with Ramón Giménez, the Ojos de Brujo flamenco guitarist
"Fusion is a part of life, purity doesn't exist"


An exclusive chat with Duquende
"Flamenco entered my life through my mother's belly, because I was already singing when I was born"


An exclusive chat with… Ginesa Ortega
"It is indispensable to perform on stages to reach the public at large"


An exclusive chat with Enrique Heredia "Negri"
"The best thing about flamenco is the intuition that us flamencos have"


Bailaor, choreographer and actor
Paco Mora: "The best thing about flamenco is its freedom; the worst thing is the envy"


Paco Ortega, producer, composer, singer and businessman
"The best thing about flamenco are the emotions it transmits"


Manuel Salado, the man behind the dance teaching method that is most followed and praised
Manuel Salado: "Flamenco has never stopped arising"


Lamari, vocalist of Chambao
"Freedom is the best thing about flamenco. When I sing I feel free"


La Tana, one of Paco de Lucía's "cositas buenas"
"I think that I already carried flamenco inside of me when I was born"


El Lebrijano, an orthodox and innovative cantaor, is always restless
Lebrijano: "Flamenco arises, but then you have to make it"


Vicente Amigo, guitarist and composer
"My main achievement in life is to be doing what I like and being a good father"


Hiroki Sato, bailaor, dancer and choreographer
Hiroki Sato: "Flamenco entered my life out of necessity"


Mayumi Kagita, bailaora, dancer and choreographer
"Although I prefer the stage, I also greatly enjoy the magic of the tablao"


Víctor Monge Serranito, guitarist and composer
"You can't define the duende, but it is something you recognise when you see it"


"People will always listen to pure [flamenco]".
Capullo de Jerez


"The duende is God's orgasm"
Antonio Canales


"I draw a lot of inspiration from cinema"
Israel Galván, bailaor and choreographer


"I'm much too young to be giving advice"
Farruquito


"Flamenco entered my life without me having any chance to avoid it"
Raúl Rodríguez, the artistic director of Son de la Frontera


"My greatest achievement has been finding myself a niche in the world of art, the rest will come later"
Tomasa Guerrero 'La Macanita'


"Flamenco is in my DNA, it is the juice from the memory of the past"
Chico Ocaña, leader of the Mártires del Compás


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